Atlantis, Ataraxic, Edges and a VCO signal from A-143-9 fed into the Frames mixer.Shapers EG signal split into Atlantis, Ataraxic and Edges.Gate signal from ADM06 fed into the Studio Electronics shapers EG.CV signal split into the Atlantis, Ataraxic Translatron and the Mutable Edges.Audio Damage ADM06 CV and Gate split into a Doepfer A-180-2.TipTop Circadian Rhythms passing 90BPM clock onto the ADM06.We went in on this patch, so much so we ran out of cables! So, onto testing the Delta we'll stick with the holy trinity of test modules, Intellijel Atlantis, Audio Damage ADM06 and the Doepfer A-143-9 Quad LFO, this combo will provide us with a wide array of simple analogue waveforms, complex sequencing abilities and enough modulation to keep us busy for some time, well also throw in the rather incredible Mutable Instruments Edges for some panning and stereo field manipulation just for good measure. The Delta has a 15ms to 500ms time range, so not the widest but plenty enough make a wide array of sounds and working with. This is the kind of module that begs to be played with and lends itself well to pretty much any kind of audio delay duties. You have two delay stages which are inherently tied together, but provide enough offset and mix controls to make polyrhythms and groove based effects, simple to dial in and fun to manipulate. So right away, it's easy to see what this module is going to be good for. Audio output, summed, blended master audio output.Wet output x 2 saturated, full wet delay output.CV inputs x 2 for modulating the delay time.Audio input, accepts signals 5 volt peak to peak, hotter signals can be used to overdrive if desired.Not just a looker, the Delta is a very versatile delay circuit.Īt its core, the Delta module is a dual parallel lo-fi digital delay, two independant channels of delay effects that are both tied to a single time parameter. So the Delta Delay builds upon the benchmarks already set by Dreadboxs' Delta effects pedals, a very attractive 16HP module, encrusted with vintage styled knobs, dense with patch points and tastefully enamel coated to resist scrapes and scratches from mounting in a case. One of the cornerstone building blocks that made the EREBUS so interesting and fun to play with, was it's BBD emulated tape delay, revered by its users - this simple two control delay unit adds some real movement and diversity to any synth sound, plus you can modulate it and get some really intense, head spinning sounds out of it. A complete analogue duophonic synthesizer with a semi modular architecture and a rich delay circuit with extensive modular capabilities.that didn't cost a fortune.ĭreadboxs' roots always lay into the modular vein, with every release they leaned more towards a full modular system Murmux Semi modular, EREBUS, Hades, Modular Effects.well thanks to the synth gods (John and co.) we've got a complete modular system on our hands! One such company that rose to attention recently was Greek boutique manufacturer Dreadbox a small independant synthesizer manufacturer from Greece who gained global attention with the release of the EREBUS, a first of its kind. When someone mentions analogue synths you think of Japanese and American manufacturers like Roland, Korg and Moog, though more recently some unique european manufacturers have risen to the occasion and are starting to produce some of the most interesting and unique synthesizers available.
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